So until I have the chance to write a decent post about this new chapter in my life, I’d like to show you the view I had as I feasted on my lunchtime sandwich next to the River Thames today. I do love London.
Sunshine signing off for today!
Well, I’ve just got home from the first day at my new job. It was a really great day and I thought this song would express perfectly what my tired brain is incapable of letting me write. And know that I am swaying and clapping along with joy and gratitude for this day.
(This is a re-post of the second post that I wrote, and one of the main reasons I started blogging!)
If all the world’s a stage, then London public transport is scriptwriter’s paradise. And absolute bliss for a new blogger like me.
From overhearing an animated conversation among a group of priests – yes, as you guessed, they were talking at length and with passion about “Alice in Wonderland in 3D” – to watching a group of overweight, under-talented and slightly less than sober commuters pole dance on the Jubilee line, I’ve observed enough dramas, soap operas, musicals and scary movies on the tubes, trains and buses, to write a library-full of books. And I’m still watching.
A while back I was sat on the tube, waiting to go home at the end of a busy work day (yes, I did have a job then!), when the crowded carriage of Friday commuters was interrupted by the arrival of a young, fresh-faced woman, who ran on the tube in a fashion reminiscent of Julie Andrews in “The Sound of Music”.
She literally ran into the tube, her face filled with awe and wonder and amazement; she ran this way, she ran that way, she looked up, she looked down, and then, when all foreign eyes were upon her (local commuters generally don’t look up), she slinked over to the end of the carriage and stood at the window, facing the next compartment.
She opened the window, put her iPod earphones in place, and began to sing at full volume. I thought she was serenading a friend in the next door carriage, but it seemed she was singing for whoever would listen. Occasionally she sounded like someone singing through headphones, at other times like someone auditioning for a reality TV show, but mostly she was singing for the amusement of the commuters in both carriages.
The tube stopped at the next station, and who should walk into our carriage but a busker! Complete with guitar, and skirt made from a Union Jack flag … which wouldn’t be so bad if the busker were female. However, he introduced himself and said he wanted to entertain the evening commuters, asking for 10p per song, and promising he wouldn’t use the money for drink or drugs,
“Although,” he added, “it is Friday, so who knows?”
As he began to sing “Satisfaction”, a song he told us he wrote with Mick Jagger, the giggles of my fellow commuters could no longer be stifled. One person asked where the cameras were, and if the guitarist and “Julie Andrews” were taking the mick. Our in-carriage drama queen said,
“Oh, no. He’s a professional singer. I’m just annoying.”
No kidding?
The busker sang a few songs, walked down the carriage and, while he attracted very little funding to feed his habit, he did attract much mobile phone video attention. He walked down the carriage, singing enthusiastically and occasionally in tune. Miss Sound of Music watched in melodramatic anticipation of his next song, as he jumped off the tube at the next stop.
As the tube moved on, Miss Musical discovered, to her hair-grabbing horror, that she was travelling in the “wrong direction”. Thinking and agonizing out loud, she walked this way and that as she decided what to do about this increasingly tragic situation. After many dramatic utterances of “OMG!” she alighted at the next tube station, amid flutters of giggles and chatter on the tube, and cynical echoes of her words. It was the first time I saw unity among commuters, albeit at the expense of a would-be dramatic actress and a drug-fuelled singer/songwriter.
And then there was the time I was waiting for my tube at my local station, when I noticed a fairly mousy, innocuous-looking middle-aged woman a little way down the platform from me. When the crammed tube arrived, the doors opened in front of her, and there was not one centimetre to spare; there was literally no way she could possibly consider climbing into that tube. Not even a hardened London commuter would have braved it.
But she was different. She launched herself headfirst on to the tube, only – after some jostling by the heaving mass of in-train commuters – to be spat out on to the platform like a mango pip. Undeterred, she gathered herself on the platform, turned around and forced her way backwards into the tube. She leant back at an acute angle to ensure the doors wouldn’t close on her, and off she went, leaving commuters on the platform open-mouthed, amazed and perplexed at her dogged and surprising determination.
Another time, I noticed on my crowded tube that one of the commuters was travelling on a different tube from everyone else. His tube was much bouncier than the one the rest of us were travelling on, and every so often his went over a particularly bumpy patch. No-one around him noticed, especially not the city suit next to him, who was moving and swaying to the rhythm of his personal entertainment centre, nor the chap nearby launching battle in a deadly game of snooker on his mobile phone.
It’s all there, folks – and I’ll keep telling you about it!
Sunshine signing off for today!
When we got to London, we moved into our fully-furnished and equipped flat with our clothes and our bedding. And some music. I was always told to be of good chair, so it wasn’t long before we had to go and purchase an additional piece of furniture.
We walked down to a local second-hand furniture shop to browse through their seating equipment. The bored helpful owner of the shop came over to greet us and shoot the breeze over his cup of coffee. He was a right proper Londoner, wearing a flat cap and everything.
We told him we were looking for a desk chair. He showed us his wares. And then he showed us his chairs. Kidding.
(Exaggeration alert.)
We tried out his wheely chairs and raced around the shop in them going “Woo!” and “Beep beep!” and “Check how this one turns!”
He strolled over to us, kicking his legs like in a slow-motion goose-step, and said, tentatively, and with his head cocked to one side, “Is that an Australian accent I hear?”
We said, “Not unless there are Australians hiding behind the sofa.”
Not really. We said that we were South Africans and feigned offence. Well, maybe we didn’t feign offence, but we pretended we were feigning it. He laughed nervously, “Ha ha, jolly ha!”
He took another sip of his coffee and asked if we were new to the area. We told him we’d just moved in. He asked us what brought us to the area. We said we were new to London because my husband was doing his doctorate.
The guy stared at us blankly, like the letting agent had when we told her my husband was doing his doctorate. She said, “Can you write that down for me, please? I have no idea what you’re talking about.”
We were about to tell him question time was over, when his gaze turned to me and he said, “And what about you? Are you a lady of leisure?”
My husband had to hold me back from grabbing him by the scruff of the neck. (Not really. But please note, for health and safety purposes, that the exaggeration alert is still active.)
I smiled sweetly and said to him, “Actually, I’m job hunting.”
He said, “Pleased to meet you, my name’s Bob.”
What he actually did at that point was whistle, raise his eyebrows and make his eyes all slitty. Clearly a multi-tasker.
“Ooh, job hunting. Not easy these days, is it? Not like in them days when it was just us. Not with all these foreigners about.”
He proceeded to tell us how little he thought of the (then) Labour government and its lax immigration regulations and how foreigners were coming in thick and fast and taking all the jobs from people “like us”.
We nodded, paid for our chair and tiptoed backwards out of the shop trying not to say another word and leak out our foreign accents again. Just in case.
We carried the chair down the road and all the way back to our house. We stopped briefly for my husband to go into a convenience store to buy something, and I sat on the chair on the pavement. If I spun quickly I could keep an eye on the road and on the shop at the same time.
As we crossed the threshold into our flat, we greeted the rest of the furniture with, “Three chairs for the foreigners!”
Sunshine signing off for today!
As I stood in the shower this morning, I thought about the fact that I just pressed a button and a torrent of hot water jetted instantly out of the shower rose. “Power showers”, as they are known here in the UK, were such a novelty for us when we first got to London.
I then thought about everything else in our day-to-day lives that fascinated me when I first arrived here. Two months after we arrived here, I emailed my family a list of things that were different from what I knew. I had another look at the list today, and thought I would post it here.
Please note that this is my perspective and my opinion; some of these things might be familiar to those who live in South Africa, and perhaps not everything I have seen is typical of London. These are purely my observations of things that I found different.
Interesting, as I read through it, I realised how inured I have become to most of the items on the list. I found myself thinking, “Oh, right – that was new to us back then”.
I continue to notice new things, as you know, and I usually blog about them. I’ll never be a Londoner, but I can now make my way around a city that initially felt so wildly “forrin” to me.
Sunshine signing off for today!
The studio we visited on Friday evening (Applaud … Now!) was in Hammersmith, an area of London we’d not visited before. We had a short time to walk along the edge of the River Thames before going into the studio and we discovered what an amazing area it was. Walk with me …
The Hammersmith Bridge across the Thames is an outstanding, imposing and quite formidable piece of engineering work. My friend who used to live in Hammersmith told me it had a fascinating history, so I checked it out. Thanks Wikipedia!
The original Hammersmith Bridge was built in 1825, as the first suspension bridge over the Thames. By the 1870s, the bridge was struggling under the weight of the traffic that passed over it, particularly the 11,000 or so who crowded on to the bridge to watch the University Boat Race in 1870. A temporary bridge was constructed, while a replacement bridge was built.
The replacement bridge, built on the original pier supports, was designed by well-known civil engineer, Sir Joseph Bazalgette (he also designed the Cathedral of Sewage in London’s east end – I’ll write about that in a future post) and it was opened in 1887.
Several times, the IRA have attempted to bomb it – once unsuccessfully in 1939 when an alert member of the public noticed a smoking, sparking suitcase on the bridge and went over to open it and throw the suitcase in the river. It exploded in the river, a few moments ahead of a second bomb that went off further down the bridge. In 2000, an IRA bomb exploded on it and put the bridge out of commission for two years.
Here are a few views of the bridge, which spans the River Thames between Hammersmith and Barnes (my husband took these amazing photographs):
I had a quick stop to take a phone call:
We walked further along the River and came across another boat suburb:
And some webbed residents:
We loved this walkway to a pub, called The Dove:
We walked past amazing old houses along the edge of the river. I was fascinated to walk past a house with the sign “William Morris Society” outside it. My friend, Wendy, over at Herding Cats in Hammond River updated her blog theme last week, using a William Morris design as her background. I’d never heard of him (blush) so it was such a coincidence to discover Kelmscott House which was his residence from 1878 to 1896. This is the only photo we took of the house:
We saw a hopeful glimpse of spring against the dusk sky:
Our walk came to an end and we headed back to the studio to become part of the TV audience. There are so many sights to see in London and each new one overwhelms me. I can’t imagine ever tiring of that feeling.
Sunshine signing off for today!
( My blog friend, Cindy, at The Only Cin nominated me for Side Views’s weekend theme. She gave me this title, and I thought re-posting this from last November would fit the bill.)
“I’ve got sunshine, on a cloudy day,” is playing on the radio as I write. It’s grey and miserable and wet and cold in London today. The song is perfect encouragement for me.
So back to our weekend. After our delightful breakfast in Bethnal Green on Saturday morning, we went to Greenwich to show our friend the market and the wonderful second-hand record shops. The first record shop we went into had this poster on its window – there’s a bit too much reflection in the photo, but it’s clear enough to show you the message. Sorry to all the Celine Dion fans out there … nothing personal! Promise.
“You got the new Celine Dion, man?” “Gulp! Err, No. But we have got some decent music, though.”
My husband and his friend were lost in old records and memories, and moved on from that shop to another that has two levels of second-hand sounds. Wall to wall records and CDs … heaven, indeed!
After a good old bogle, we moved across the road to Greenwich market. The market in Greenwich dates back to 1700, when the Royal Charter Market was assigned to Greenwich Hospital for a thousand years. It has moved site since then and over the years has grown and evolved into the arts, crafts and food market that it is today. You can buy anything from a divinely iced cup cake to a leather handbag, jewellery, clothing, second-hand books, Italian nougat and a hat. Flanked by vintage clothing stores, pubs, coffee shops and toy shops, there is also a fabulous food section in the market where you can buy any kind of food from curries and Turkish wraps (our absolute favourite!) to cakes and sweets.
One of our favourite things to do is to go there after church on a Sunday, pick up a Turkish wrap and then go and walk through Greenwich Park, venturing up to the Royal Observatory if we have the legs, or just relaxing on a bench or on the grass. It’s always lovely there, and if you do walk up the hill, you can see just how curvy the Thames is. I look forward to going there when it’s snowing and watch the tobogganers speeding down the hills. Earlier this year, a few English bobbies were reprimanded for tobogganing on their shields (somewhere in Oxford, I think). I loved that story – they just couldn’t resist the thick snow and they had perfect makeshift toboggans!
On Saturday night we took our friend to the Vortex Jazz Club in Dalston, north London, to see Britain’s finest jazz singer, Ian Shaw. Despite getting slightly lost en route there (our trademark), we got there good and early and sat and had a drink in the pub downstairs until the doors opened.
We went upstairs as soon as we could, and waited for the great muso to arrive and start his show. He was just fabulous. He sang a few of his Joni Mitchell numbers – mashing Edith and the Kingpin together with Big Yellow Taxi, Talk to Me and a wonderful mix of River and A Case of You. In between he delighted with Stuck in the Middle With You, Bowie’s Ch-ch-ch-changes and a beautifully poignant Alone Again, Naturally that brought me to tears.
When we were waiting downstairs before we went in, we saw a huge posse of youngsters arrive, all dressed in matching tracksuit tops, and heading towards the Club. The Club is pretty small and we couldn’t imagine that they could possibly be going to see Ian Shaw. Where would they sit, and why would youngsters – apparently on a school trip – want to go to an evening of jazz? Turns out they were a big band from a school in Finland and were obviously mad-keen musicians. I felt quite ashamed of my assumptions, and listened in awe as a handful of them scatted along confidently at Ian Shaw’s nod, and one took out his saxophone and, with perfect attitude and flair, accompanied Ian Shaw’s intuitive piano playing. I was humbled and oh so impressed.
Ian Shaw took a few requests, and generously sang Baghdad Cafe, mixing up a hilarious snippet of Kate Bush’s Wuthering Heights in the middle. An absolutely fabulous version of Al Wilson’s The Snake led him to the perfect closing number in Shirley Horn’s Here’s to Life. A beautiful conclusion to an exceptional day.
No complaints and no regrets.
I still believe in chasing dreams and placing bets.
But I have learned that all you give is all you get, so give it all you got.
I had my share, I drank my fill, and even though I’m satisfied I’m hungry still
To see what’s down another road, beyond a hill and do it all again.
So here’s to life and all the joy it brings.
Here’s to life the dreamers and their dreams.
Funny how the time just flies.
How love can turn from warm hellos to sad goodbyes
And leave you with the memories you’ve memorized
To keep your winters warm.
There’s no yes in yesterday.
And who knows what tomorrow brings or takes away.
As long as I’m still in the game I want to play
For laughs, for life, for love.
So here’s to life and all the joy it brings.
Here’s to life, the dreamers and their dreams.
May all your storms be weathered,
And all that’s good get better.
Here’s to life, here’s to love, here’s to you.
May all your storms be weathered,
And all that’s good get better.
Here’s to life, here’s to love, here’s to you.
Sunshine signing off for today!
We have a red box where we keep tickets and reminders of our London adventure. We opened the box this morning and threw another ticket into it. A ticket that reflected another first for us: being part of the studio audience for a television chat show. What fun!
The show, ITV’s That Sunday Night Show – described as a “round up of the week, casting a wry eye over the past seven day’s events and the week ahead” – is filmed in the Riverside Studios in Hammersmith.
We got there ridiculously early. Too early. We went away and came back to discover that a queue had begun to form outside the studio, so we joined it. It was VERY cold. After about half an hour, a young woman with a clipboard checked our tickets and gave us two entry stickers and told us to come back to the holding area in about an hour. We came back and queued in the holding area, as instructed and shuffled forwards like a herd of slothful cows, until we came to a stop outside the nether regions of the ITV Studio.
Guys wearing “crew” T-shirts handed out beers to everyone in the holding area. One way to keep a bunch of impatient punters happy, I guess, but maybe it was designed to make the audience loose or, at least, to find the show banter funny! We continued to freeze and stand and freeze and stand.
Eventually we started to shuffle forwards and through a storage area. Any air of superiority I might have been feeling was whiffed away by the sights and smells around us: a calamity of plywood in different lengths and shapes; metal cages filled with boxes and stuff; a forklift; several brooms; more boxes and stuff and wires and bins and buckets and clay models and stuff. We shuffled alongside a huge floaty white curtain and then tadah! There was the studio!
We were ushered into seats and sat in the fourth row, which was the first stepped-up row. I usually end up behind the overly-tall guy with huge curly hair, so I’m glad to report my view of the set was uninterrupted. Curly-haired tall guy was in the row below ours.
A “warm-up guy” came and introduced himself to the studio audience. His job of making us laugh was made easy by what he called a “self-pleasing” audience. Banter flew this way and that from audience members or, as I like to call them, part-time comedians. The lights went down and in walked show host, Adrian Chiles.
He introduced his interesting blend of guest panellists: Russell Kane, comedian; Janet Street-Porter, journalist and broadcaster; and Lord Alan Sugar, multi-millionaire and UK host of The Apprentice.
And so began the filming of the 30 minute-long chat show. It took two hours, with a short break after an hour, and we were impressed with how slick the filming process was. There were a few times when Adrian stumbled over his words, but he just repeated them and the show went on. At the end of the two hours, he did re-takes of about four intros to film clips and it was a wrap. Heavy editing will leave around 20 minutes to be aired between the commercial breaks.
Adrian looks at big and small news items from the past week, comments on them and invites comment from his panellists. It was interesting to see the dynamics between the three guests; Russell Kane is ever the cheeky-chappy naughty comedian, who made faces at the audience and chipped in with funny observations and jokes all the time. I loved that! Janet Street Porter elbowed her opinion in at every opportunity and I found her to be not only heavy-handed but grumpy and negative. Perhaps that’s her brand. Lord Alan Sugar added his no-nonsense opinion with flat, slicing hands. When he speaks, people listen. He said he loves visiting America because at least no-one says to him, “You’re fired.” Clearly he is accosted at every turn by British fans proffering that original line to him.
Russell Kane talked about the immediate feedback he gets as a stand-up comedian and the constant fear that if he doesn’t make his audience laugh, he’s fired. Adrian Chiles said to Lord Sugar,
“You’re funny, Lord Sugar, you know how to make people laugh. Did you ever consider being a comedian?”
His reply made me laugh:
“When I was small, I was walking with my mum. She said to me, ‘You know you’re really funny. I’ve heard that you make your friends laugh at school. Why don’t you become a comedian?’ I said to her, ‘Mum, do you mean going to the working men’s clubs where they throw beer and crisps at you and heckle you?’ She said, ‘Yes.’ I said, ‘Mum, if you don’t mind, I think I’d rather become a multi-millionaire.’”
We were interested to notice a “Lord Sugar lookalike” in the audience. He queued just ahead of us and, unlike the rest of us punters, was dressed formally in a suit. I thought there might be some interest in the fact that Lord Sugar’s doppelganger sat among the rowdy rabble. Not a peep. It made me think of that song, “I took my harp to the party and nobody asked me to play. So I took the damned thing away.”
The show was packed. Adrian had three studio guests who ran the gauntlet of the panel’s comments and questions and unimpressed-ness. The guests included Tom Felton (Draco Malfoy from the Harry Potter movies), Terry Green, the voice of the UK Post Office queuing system (I felt sorry for him as the panellists ate him up, comment by comment) and Heston Blumenthal (celebrity chef and owner of The Fat Duck restaurant in London).
Heston has recently opened another restaurant in London known as Dinner by Heston, where he serves medieval food and focuses on the history of English food. He served Adrian and the panellists each a wooden platter adorned with what looked like a mandarin and two slices of toasted ciabatta. The mandarin was in fact a perfectly disguised chicken parfait, which all of the panellists – bar Lord Sugar – partook of and enjoyed. Lord Sugar ungraciously, I thought, declined to eat it as he said he was unimpressed by fancy food and preferred the fare he grew up with. Clearly that footage will land on the cutting room floor.
So, two hours, two “warm-up guy” sessions, a bunch of Russell guffaws and delightful Adrianisms later, we shuffled out of the studio and once more into the freezing London night. We’ll watch the programme tomorrow night for sure – maybe we’ll just hear ourselves laugh. Another first and another ticket in our red box.
Sunshine signing off for today!
It’s red carpet season in London. Celebrities, also known as movie stars, dress designerly and walk along the red carpet to answer endless and inane questions about their movies and their co-stars and their spouses and partners and directors and friends and why they think their movies should win awards and what their movies mean and if they seek enlightenment through the art form they support and who dressed them.
Film premieres take place all year round in London, and this week has also seen a swathe of awards ceremonies in the capital. On Sunday night, London played host to the Bafta Awards (British Academy of Film and Television Arts) and last night the music awards ceremony, the Brit Awards 2011, took place at the O2 Arena in North Greenwich.
As was expected, The King’s Speech garnered most of the big Bafta awards, including best actor, best supporting actor, best supporting actress, best film and best original screenplay. It was nominated for 14 awards and won seven. The darling Colin Firth, who won the best actor award for the second year in a row (in 2010 he won one for A Single Man), said “I like coming here.”
The director, producer and screenwriter describe the film as “a little film”, one they never thought would attract the worldwide attention it has. David Seidler, writer of the original screenplay for The King’s Speech, won a Bafta for his screenplay. As a child, Seidler battled with a stammer and, listening to King George VI speak on radio, he thought that if the King could overcome a stammer, there was hope for him too. I like stories like that.
Last night’s Brit Awards 2011 honoured many young and not so young members of the music industry. A young south London rapper, known as Tinie Tempah, won two Brits, while Take That – recently rejoined by Robbie Williams – collected their first Brit Award for Best British Group. Robbie walked away with his 17th.
A young fringe-flicking Canadian received a Brit Award for International Breakthrough Act of the Year. He declined to show off his Michael Jackson skills in the pre-show interview, claiming that he couldn’t moonwalk “on the carpet”. The moves had to be seen to bieber-lieved.
Canadian band, Arcade Fire, also walked away with two Brit Awards for Best International Group and Best International Album.
We’ve stood by the red carpet for film premieres a few times since we’ve been in London. The first time we were lucky enough to be penned in, up close and personal, with uninterrupted views of this:
Imagine being close enough to see the red carpet being fitted? Kind of takes the glamour out of the event. A couple standing near us asked if they could have the carpet off-cuts. Seriously?
But this is really why we stood and watched the red carpet being set up:
I think the guy standing behind the star of “The Fantastic Mr Fox” was thinking, “OMG! I can’t believe I’m standing this close to George Clooney!”
We also saw Sir Ben Kingsley:
And Bill Murray:
As we speak, London is ordering miles more red carpet to welcome the sporting elite and the spectating elite (you clearly have to be elite to afford the ticket prices I’m reading about) to the London Olympics in 2012. 527 days to go and counting. Danny Boyle, director of movies such as Trainspotting, Slumdog Millionaire, Sunshine (I don’t know that movie but I love the title!) and 127 Days, will be directing the opening ceremony. Will we see a field full of brightly coloured anoraks doing Bollywood moves and avoiding the chasm? I can hardly wait.
Sunshine signing off for today!
Our church has just had an International Weekend, celebrating the diversity of cultures and nations represented among our church’s number. As one who loves language and is fascinated by pretty much everything, I have had a cracking weekend – just amazing!
The church we belong to is a real inner-city church, and describes itself as a local, international church. It is a true microcosm of the broader population of London, with a diversity of language and culture that I have never experienced anywhere before.
On Friday, I went to help out at the church’s weekly coffee morning. At the early morning prayer meeting for both the coffee morning and the International Weekend ahead, one of the elders prayed that an Italian person would come to the church. For some reason, he had Italy on his mind.
Half an hour later, as we set up the coffee table and people started arriving, a woman walked into the church and stood awkwardly (without her cell phone!) and alone in the body of the church. Two women went over to greet her, and asked if this was her first visit to the Friday event. She didn’t understand what they were saying, because she spoke no English. She was from Italy. We were all wide-mouthed and blown away; an immediate answer to a specific prayer.
Her daughter-in-law arrived shortly thereafter and managed to translate for her. She told her mother-in-law the significance of everyone’s excitement, and the Italian woman seemed moved. When her daughter-in-law moved away, the English women tried to ask her what her name was. Using gestures that didn’t convey their question, the Italian lady responded by saying, “Oggi.” (Today.)
I called on my limited knowledge of Italian (I studied it for two years at university), and asked her what her name was. But I think I asked her what my name was. More accurately, “What do you call myself?”
She smiled graciously and told me her name. She beamed at the thought that I might be able to communicate haltingly with her, and I confessed my limited ability. I managed, however, to tell her how welcome she was and she smiled broadly. Either she was pleased, or it was because I might have said, “he is welcome”.
At our International Weekend, church members were invited to dress in their traditional outfits and to bring their traditional foods to share. I’m sure I’ll miss some out, but nations such as Nigeria, Sierra Leone, America, South Africa, Zimbabwe, Ukraine, Uzbekistan, Scotland, Ireland, England, Iraq, Brazil, Germany, Iran, India, and Thailand were represented both sartorially and culinary-wise.
Reflecting on this extent of diversity I realise that while I am a lover of language, there is a lot that I know a little about. I so wish that the reverse were true, and that I could have had a decent conversation with Friday’s welcome visitor from Italy.
I also studied French at school and majored in it at university but, not having had the opportunity to work with the language, nor to spend time in France, my rusty and limited knowledge of spoken French leaves me little to say of interest.
I went to night school to study Xhosa when I lived in Cape Town. Xhosa is one of the 11 official languages of South Africa, and is indigenous to the Eastern Cape and the Western Cape (where Cape Town is). It is difficult to learn for a few reasons: there are three different clicks that you use, and the mastery of these clicks alone is a huge challenge; the structure of the language is quite different from any other language I have studied, with its use of compound words being the biggest challenge for me.
It is a beautiful language and so many of its expressions relate to the culture and the nature of the Xhosa people. When you see someone for the first time in a day, it is important to greet him and ask how he is. The answer is usually an honest description of how you are; I’m fine, thank you does not feature, as far as I know. It is possible, however, just to say, I am here. I love that. Sometimes I am just here, there’s nothing more to say.
I loved learning Xhosa, and practising it with my friends and colleagues. Like any other language, practice makes perfect and it is easy to lose the language if you don’t keep speaking it. So now I could have a conversation with you in Xhosa, if all you wanted to know was how I was, and what my name is, where I live and that I am married. We could then smile at each other, and look awkward. I could also tell you that I have two small boys, but that would be a lie. Truth is, I can’t remember how to say I have two young adult sons.
So many languages, so little time. Immersion in a culture is truly the best way to learn its language and learning the nuances of English in this vast and shrinking global village is enough of a challenge for me right now. Thinking any further makes my head hurt or, as they say in Xhosa, “Ndinentloko.”
Sunshine signing off for today!
Sunshine in London 