We spent yesterday evening in Coolsville, with the Duchess herself. She sang her way through the soundtrack to my student days in the early 1980s; listening to classic Rickie Lee Jones live was another awesome, red box experience.
The Duchess of Coolsville, 57, skipped on to the Royal Festival Hall’s stage in trademark brown beret and half an hour late for her Pirates concert. According to the Southbank Centre preview, the queen of pop/jazz/country/soul/R&B/blues/you-name-it, with a career spanning 30 years, maintains an unwavering cool despite a historically difficult personal life which has seen her battle and overcome broken hearts and drug addiction. Her concert featured tracks from her two most successful LPs, Rickie Lee Jones and Pirates, in her only stop in the UK before heading to Paris and Bilbao to round off her short European tour.
She opened with Danny’s All Star Joint to thunderous applause, and went on to dance with her beret through After Hours (12 bars past midnight). Spent, she abandoned her beret along with her water bottle, on the piano.
Rickie Lee Jones is not as tall as I would have imagined. I loved watching her bob and weave around the microphone with, what looked to me like awe and fear, and always, always needing the sound to be perfect.
The audience went crazy to hear the opening bars of Chuck E’s in Love, which the Duchess delivered to perfection before moving into a self-conscious, exquisitely delicate and vulnerable, arms-folded version of Company. A beautiful Easy Money prefaced her move to the piano, where she played and sang for the next hour. Living it Up was followed by a call from Rickie to ‘play some more happy songs’, as she moved on to the hauntingly beautiful clarinet-soloed Skeletons.
Ms Jones’ band is filled with outstanding musicians: a crazy talented lead guitarist, a Duke of Coolsville on bass, a keyboard (piano and Hammond organ) magician, an astounding drummer and ridiculously brilliant three-piece horn section of saxophone/clarinet, trumpet and trombone. Each artist had their moment in the spotlight to share their beautiful talent.
After We Belong Together, Rickie Lee apologised for being late.
“Did you forgive me yet for coming on late? I don’t have any reason, except I wasn’t ready. In so many ways,” she said ironically before moving on to Lucky Guy, filled with pretty, pretty Hammond organ solos. On Saturday Afternoons in 1963 was followed by an emotional, tear-filled outpouring of Coolsville.
The Duchess followed her heart rather than the setlist, which kept the band watching her closely and the setlist frequently being replaced.
She moved on to Pirates and Traces of the Western Slopes before a funky Woody and Dutch on the Slow Train to Peking. Guitar in hand, Ms Jones talked of her first trip to London in 1979 and how everything about the city ‘creeped her out’ as she walked through the ‘emotional chasm of heroine withdrawal. Everything was different, from having only one television channel (‘that played dogs chasing sheep’), to the light switches, to waking up at 3am and everyone was asleep’.
As an apology for that story, she sang a bonus number, a pure-Rickie Lee version of On the Street Where You Live. The Weasel and the White Boy’s Cool rocked the most insane lead guitar solo before Night Train, Young Blood, Last Chance Texaco and After Hours.
Ms Jones wept as she talked of the ‘supreme peace that found me, unexpectedly, on this Pirates tour’. She thought it would be a nightmare, reliving the difficult times through Pirates, but found that she can now ‘go home and sleep at night’.
With emotion and gratitude, she sang the closing number The Returns, leaving us all with a hope that the Duchess of Coolsville will be back. Two hours of pure Rickie Lee Jones magic. Catharsis rocks.
Sunshine signing off for today!